Sometimes I want a little blur on the left or right side of the frame. But the in-focus part of the image extends across the frame. Shows blur gallery workspace with tilt-shift blur applied. I tend to like more blur in the background. The dashed line shows the maximum tilt-shift blur. The solid line is where the effect starts. Grab the lines on top and bottom to extend or reduce the blur effect. I often place the focus area in the lower third of the image. Grab the pin in the middle of the image and drag it to adjust the focus area. Shows how to navigate to Tilt-Shift blur filter. We’re going to use Field Blur in a minute.īy default, Photoshop applies a blur of 15 pixels and places the blur in the center of your image. ![]() The Tilt-Shift tab will be open, but notice you have other tabs. This will open the blur gallery workspace. Select the duplicate layer and open the blur gallery by going to Filter>Blur Gallery>Tilt-Shift. Open the image you’ve chosen in Photoshop and duplicate the background layer by going to Layer>Duplicate Layer… (Ctrl or ⌘J). The blur will be noticeable, but not overwhelm the image and draw attention. ![]() To add a tilt-shift effect, go to Filter>Blur>Lens Blur… A radius of 20 is a good place to start, but you can play around with the settings. Or if you are in Quick Mask Mode, click Q to return to regular editing. But scan across your image to see if there is something interesting in the in-focus part of your image.Ĭlick on the layer. I think the effect works best when the focus is just below the center. If you want to change the gradient, click undo and try again by going to Edit>Undo Gradient (Ctrl or ⌘Z). If you want more of the image to blur, draw a longer line. You may have to experiment a bit to get the gradient just where you want it. This is the part of the image that will be in focus. On the layer mask, you’ll see a black bar appear somewhere near the center. Start somewhere in the middle and drag the line towards the edge of the frame. This option will add the gradient to the top and bottom of your image.ĭrag a vertical line down the middle of your image. This icon has a white bar in the center and black bars above and below. In the gradient menu that now appears, select a basic black to white gradient and the mirror icon. Select your layer mask and then the gradient tool in the toolbar. Shows duplicate layer, layer mask, and graduated filter tool settings. You can also edit in quick mask mode by going to Select>Edit in Quick Mask Mode (keyboard shortcut Q). ![]() It looks like a rectangle with a circle inside. Or you can select the layer mask tool at the bottom of the layers window. Step 2 – Create Layer MaskĪdd a layer mask to the duplicate layer by going to Layer>Layer Mask>Reveal All. Method 1: Graduated Filter with Lens Blur Step 1 – Open image & Duplicate Layer Once you understand the concept, you can do it in Lightroom or another post-processing program. Both take advantage of Photoshop’s blur filters. I’ll show you two options for creating the tilt-shift effect. There’s something about model cars and trains we find attractive. Modes of transportation make particularly good subjects. Popular subjects for this technique are cities and landscapes. The effect would be ruined if I added blur to only part of the tower in Vernazza, Italy. I had to be careful with the church tower. If that subject occupies both the foreground and mid-ground or mid-ground and background, the effect won’t work as well. ![]() Be careful with images that have a dominate subject. If all subjects are on one plane, the image won’t be effective. Small objects in the foreground and background are best. There needs to be some depth in the scene. The images that work well are taken from a high angle, but not necessarily directly overhead. Subjects with miniaturisation potential.Some images work better than others when creating tilt-shift photography. Buy from Unavailable Choosing Tilt Shift Photoshop Images
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